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Choreography

I approach choreography as an interdisciplinary art centered around the body.  My choreographic work often combines dance, music, visual arts, theater, and engineering, and is influenced by research in the humanities and sciences.  In my choreography, I use these modes to explore the virtuosity of the human body, to critique current social, political, and intellectual ideas in our culture, and examine transcendent and spiritual human experiences.

Of great importance to me is making dance accessible to a wide population.  This includes a commitment to presenting work in video format and in non-proscenium spaces.  It also includes creating work that non-specialists can relate to, whether on a level of aesthetics, narrative, character, or concept.  I believe that dance must continue to reinvent itself and make itself valuable for the populous, especially as social norms and cultural practices continue to shift in the 21st Century.

"The work, rich and multi-layered with ideas and cultural references, seamlessly progressed between numerous movement genres, showcasing Cline’s mastery of a fresh and unique stylistic fusion." - Philippa Myler, Seattle Dances (http://seattledances.com/2018/05/full-tilt-turns-twelve/) 

Choreography Reel

Selected Choreographic Works for Stage

Choreography CV

"Brief Candle, Walking Shadow" 

A dance film as part of MFA thesis requirements

April 2020

"Measuring the Depths" Graduate/Undergraduate Concert

Collaboration with Angelica Delashimette-Hurst 

University of Iowa, IA

December 2019

“Alpha/Omega” MFA Concert

Collaboration with composer Joseph Norman

University of Iowa, IA,

April 2019

 

“The Realm of Ideal Forms”

University of Iowa

April 2019

“It’s a Post-Wonderful Life” Graduate/Undergraduate Concert

University of Iowa, IA

December 2018

 

“Rite of Passage”

University of Iowa, IA

December 2018

 

“Apocalypse, Ecstasy” Full Tilt Dance Festival

Seattle, WA

April 2018

“Dancing On The Wall” Seattle Fringe Festival

Performed at the Seattle Center Armory

March/April 2017

 

“Dancing On The Wall Reprise” Seattle International Dance Festival

Performed at the Seattle Center Armory

June 2017

 

“Reptilian Agenda”

Performed at Broadway Performance Hall

Seattle, WA

November 2016

 

“Don’t Sweat It” Seattle International Dance Festival

Co-choreographed with Blair Eliot; Music by Eric Sierra and Eric B. & Rakim

Seattle, WA

June 2016

 

“Let me Show You”

Performed at Broadway Performance Hall

April 2016

 

“Sandy’s Cosmic Encounter”

Performed at the Pocket Theater

Seattle, WA

April 2016

“Don’t Sweat It” Transcribe

Co-choreographed with Blair Eliot; Music by Eric Sierra and Eric B. & Rakim

Performed at The Pocket Theater

Seattle, WA

September 2015

“Gods of the Night”

Choreographic Assistance for The Cabiri

Performed at Shoreline Performing Arts Center

February 2013

 

“Climbing on the World Tree” Senior Thesis Concert

Choreographed by Jeremy Cline

Original music by Elias Alexander, Taylor Bickford, and Yuki Takeda

Performed at Middlebury College

November 2011

 

“And in the End, We Laugh” Spring Dane Concert

Choreography by Jeremy Cline and Alena Giesche

Performed at Middlebury College

May 2011

  

“Within, Without” Spring Dance Concert

Choreography by Jeremy Cline

Music by Harjinder Singh Khalsa, and Nawang Kechong

Performed at Middlebury College

April 2010

 

“( )” Mahindra United World College of India Theatre Week

Choreography by Jeremy Cline and Jacob Neuman

Music by Sigur Ros

Performed at MUWCI

February 2007

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